Dmitry Mironenko
Icon-Painting and Restoration Workshop of St John of Damascus, the Holy Trinity Alexander Nevsky Lavra
DOI: https://doi.org/10.62625/2782-1889.2023.66.66.007
From the Experience of the Icon-Painting and Restoration Workshop of St John of Damascus. Painting of Temple Interiors Using Whole-egg Tempera
Abstract
Whole-egg tempera is a little-known material among contemporary artists at present time. The article is devoted to the description of the work experience of the icon painters of the Alexander-Nevsky Lavra in painting a temple using the recreated method of preparing whole-egg tempera. In the text, in addition to describing the process of work, there is a recipe for the preparation of this paint. Acquaintance of an artists with the experience of the Lavra’s masters can contribute to the revival of interest in this ancient and well-established method of wall painting.
Keywords
whole-egg tempera; icon-painting and restoration workshop; wall-painting; technology of whole-egg tempera; durability of whole-egg tempera;
References
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When citing an article, use a bibliographic reference:
From the Experience of the Icon-Painting and Restoration Workshop of St John of Damascus. Painting of Temple Interiors Using Whole-egg Tempera // Scientific Papers of St Petersburg Academy of Fine Arts'66. Preservation Of Cultural Heritage. 2023 СПб. : СПб. акад. художеств, 2023. 200 с. C. . https://doi.org/10.62625/2782-1889.2023.66.66.007
This article is licensed under Creative Commons «Attribution 4.0 International»
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