Four Periods of Creativity of the Chinese Artist Qiu Di
Abstract
The article is devoted to the study of the artistic heritage of Qiu Di (1906–1958), one of the first representatives of the Chinese avant-garde of the first half of the 20th century. The creative arsenal of this master is part of the phenomenon associated at home with the activities of the “group of women artists”. This definition is associated with the artistic activity of the fair sex, who defended their individual handwriting and their worldview in the visual art of China at the beginning of the last century. The study comprehends the creative path of Qiu Di, who, having studied the basics of modernist painting in Japan, synthesized them with the traditions of domestic artistic culture. Particular attention in the studied material is paid to the activity of “Storm” society, which united the brightest representatives of the Chinese avant-garde of the first half of the last century, among which the works of Qiu Di and her husband Pang Xunqin had a significant influence on the development of modern art in China.
Keywords
Chinese painting; Art Society “Storm”; art exhibition of Shanghai; Qiu Di; Pang Xunqin; Chinese artists of 20th century;
References
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When citing an article, use a bibliographic reference:
Four Periods of Creativity of the Chinese Artist Qiu Di // Scientific Papers of St Petersburg Academy of Fine Arts'66. Preservation Of Cultural Heritage. 2023 СПб. : СПб. акад. художеств, 2023. 200 с. C. . https://doi.org/10.62625/2782-1889.2023.66.66.006
This article is licensed under Creative Commons «Attribution 4.0 International»
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